Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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SASSETTA
Death of the Heretic on the Bonfire af

ID: 09064

SASSETTA Death of the Heretic on the Bonfire af
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SASSETTA Death of the Heretic on the Bonfire af


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SASSETTA

Italian Early Renaissance Painter, ca.1390-1450  Related Paintings of SASSETTA :. | St. Antonius and St. Paul mote | The Stigmatisation of St Francis | Madonna and Child Enthroned with Four Angels and SS.John the Baptist,Peter,Francis,and Paul | Poor from a Prison in Florence | Saint Francis Giving Away His Clothes to the Poor Knight,The Dream of Saint Francis |
Related Artists:
HOOCH, Pieter de
Dutch Baroque Era Painter, 1629-1684 Dutch painter. He was one of the most accomplished 17th-century Dutch genre painters, excelling in the depiction of highly ordered interiors with domestic themes and merry companies and pioneering the depiction of genre scenes set in a sunlit courtyard. The hallmarks of his art are an unequalled responsiveness to subtle effects of daylight, and views to adjoining spaces, either through a doorway or a window,
Medardo Rosso
1858 Turin-1928 Milan,was an Italian sculptor. He is thought to have developed the Post Impressionism style in sculpture along with Auguste Rodin. Medardo Rosso was born in Turin, Italy, in 1858, the son of the city stationmaster. Later his family mover to Milano (Milan). As a child Rosso played hooky from school to visit a monument mason who taught him to handle a chisel and hammer. This distressed and angered his parents. At the age of 23, after a period of military service as unsatisfactory as his home life, he enrolled at the Berea Academy in Milano, where he learned to draw classical statues and copy them in gesso. But academic art appeared to him entirely artificial, unrelated to the world around him. Before long he helped to organize the Berea students into demanding life models for the drawing classes. As a result of his revolutionary behavior he was expelled from the school. He moved to Rome, where he lived in great poverty, sleeping among the ruins of the Colosseum. To the end of his life Rosso battled unremittingly against the academicians. What absorbed, even obsessed, him was the problem of interpreting life itself. In 1882, some time before he saw any Impressionist paintings, he produced his fully impressionistic sculptures, The Street Singer and Lovers under the Lamplight. In 1884 some friends arranged an exhibition for him in Paris, where he lived for a time in a cheap boarding-house.
h. c. etcherry







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